Sunday, 30 January 2022

Music at the Dresden Court - Zefiro

 


Music at the Dresden Court


Zefiro


Alfredo Bernardini, Emiliano Rodolfi, oboe

Cecilia Bernardini, violin

Miguel Rincon, lute


DIR.: ALFREDO BERNARDINI


recorded: Oct 1, 2021, Stift Melk (Kolomanisaal), Melk

[Barocktage Stift Melk 2021]


period instruments

lossless (flac)

source: NPO4 (NL) (digital radio)

recorded with harddisc recorder


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Francesco Maria VERACINI (1690-1768)

(01) Overture VI in g minor [09'49"]


Johann Georg PISENDEL (1687-1755)

(02) Concerto for violin in D (JunP I.7) [12'42"]


Antonio LOTTI (1666-1740)

(03) Overture Ascanio [05'44"]


Antonio VIVALDI (1678-1741)

(04) Concerto for lute, 2 violins and bc in D (RV 93) [11'19"]


Johann David HEINICHEN (1683-1729)

(05) Concerto for 2 oboes in e minor (S 222) [07'53"]


Jan Dismas ZELENKA (1679-1745)

(06) Ouverture a 7 concertanti in F (ZWV 188) [18'22"]


[encore]

Francesco Maria VERACINI

Overture I in B flat:

(07) aire. allegro [01'59"]


links:

Francesco Maria Veracini

Johann Georg Pisendel - score

Antonio Lotti

Vivaldi, score RV 93

Johann David Heinichen - score

Jan Dismas Zelenka - score

Zefiro


download:

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Thursday, 27 January 2022

Chamber music with clarinet - Nicola Boud

 


Chamber music with clarinet


Nicola Boud, clarinet

Sabine Devieilhe, soprano

Sophie Gent, viola

Jane Gower, bassoon

Kristian Bezuidenhout, fortepiano

[Erard, 1851]


recorded: August 14, 2013, The Queen's Hall, Edinburgh

[Edinburgh International Festival 2013]


period instruments

lossless (flac)

source: BBC Radio 3 (digital radio)

recorded with harddisc recorder


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Wolfgang Amadeus MOZART (1756-1791)

Trio for keyboard, clarinet and viola in E flat 'Kegelstatt-Trio' (KV 498) [19'15"]

(01) andante [05'30"]

(02) menuetto - trio [05'19"]

(03) rondeaux. allegretto [08'26"]


Franz Peter SCHUBERT (1797-1828)

(04) Der Hirt auf dem Felsen, song for soprano, clarinet and pianoforte (D 965) [11'06"]


Mikhail Ivanovich GLINKA (1804-1857)

(05) Trio for clarinet, bassoon and pianoforte in d minor 'Trio Pathétique' [15'34"]


Johannes BRAHMS (1833-1897)

Sonata for clarinet and pianoforte in E flat, op. 120,2 [20'22"]

(06) allegro amabile [08'02"]

(07) allegro appassionato [04'57"]

(08) andante con moto. allegro [07'21"]


links:

Mozart, Kegelstatt-Trio - score

Schubert, Der Hirt auf dem Felsen - score

Mikhail Ivanovich Glinka

Glinka, Trio Pathétique - score

Brahms, Clarinet sonatas - score

Nicola Boud

Sabine Devieilhe

Sophie Gent

Jane Gower

Kristian Bezuidenhout


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Tuesday, 25 January 2022

Legrenzi: La morte del cor penitente - Nigel Rogers

 


Giovanni LEGRENZI

(1626 - 1690)


La morte del cor penitente

oratorio in two parts (1673)


In memoriam Nigel Rogers

(21 March 1935 - 19 January 2022)


Catherine Bott, soprano (Penitenzia)

Donna Deam, soprano (Speranza)

Nigel Rogers, tenor (Peccatore)

Nicholas Clapton, alto

Charles Daniels, tenor

Simon Grant, bass


Chiaroscuro Baroque Orchestra


DIR.: NIGEL ROGERS


rec: March 1990, St Paul's Church, Knightsbridge



period instruments

mp3 (192 kbps)

source: BBC Radio 3


Thanks to the original uploader


Included: libretto with English and German translations [pdf]


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(01) Parte Prima [45'11"]

(02) Parte Seconda [20'24"]


links:

Giovanni Legrenzi

Catherine Bott

Donna Deam

Nigel Rogers

Nicholas Clapton

Charles Daniels

Simon Grant


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Sunday, 23 January 2022

JS & CPE Bach: Cantatas - Capella Cracoviensis

 


Johann Sebastian & Carl Philipp Emanuel

BACH


Cantatas


Jolanta Kowalska, soprano

Kai Wessel, alto

Karol Kozlowski, tenor

Peter Harvey, bass


Capella Cracoviensis


DIR.: JAN TOMASZ ADAMUS


recorded: June 19, 2014, Nikolaikirche, Leipzig

[Bachfest Leipzig 2014]


period instruments

lossless (flac)

source: WDR3 (Cologne) (digital radio)

recorded with harddisc recorder


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Johann Sebastian BACH (1685-1750)

(01) Lobe den Herrn, meine Seele (BWV 69) [19'24"]


Carl Philipp Emanuel BACH (1714-1788)

(02) Gnädig und barmherzig ist der Herr (Wq 250 / H 821l) [28'14"]


(03) Wer ist so würdig als du (Wq 222 / H 831) [04'58"]


Johann Sebastian BACH

(04) Wir danken dir, Gott, wir danken dir (BWV 29) [23'01"]


links:

JS Bach, Cantata BWV 29 - score

JS Bach, Cantata BWV 69 - score

CPE Bach, Cantata Wq 250

Jolanta Kowalska

Kai Wessel

Karol Kozlowski

Peter Harvey

Capella Cracoviensis


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Thursday, 20 January 2022

Schubert & Schumann - Claire Chevallier & Jos Van Immerseel

 


Franz SCHUBERT & Robert SCHUMANN


Orchestral works


Anima Eterna Brugge


Claire Chevallier, fortepiano [Erard, 1842]


DIR.: JOS VAN IMMERSEEL


rec: Feb 7, 2009, Concertgebouw, Bruges



period instruments

lossless (flac)

source: Klara (B) (digital radio)

recorded with harddisc recorder


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Franz Peter SCHUBERT (1798-1828)

Rosamunde (D 797): 

(01) Overture Die Zauberharfe (D 644) [10'46"]

(02) Entr'acte in B flat (andantino) [08'52"]

(03) Ballet in G (andantino) [08'17"]


Robert SCHUMANN (1810-1856)

Concerto for pianoforte and orchestra in a minor, op. 54 [34'44"]

(04) allegro affettuoso [18'06"]

(05) intermezzo. andante grazioso; allegro vivace [16'38"]


Franz Peter SCHUBERT

Symphony No. 2 in B flat (D 125) [30'55"]

(06) largo - allegro vivace [10'48"]

(07) andante [08'15"]

(08) menuetto. allegro vivace [03'17"]

(09) presto vivace [08'34"]


links:

Schubert, Rosamunde - score

Schubert, Symphony No. 2 - score

Schumann, Piano concerto - score

Claire Chevallier

Anima Eterna Brugge


download:

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Tuesday, 18 January 2022

Pergolesi: La serva padrona - double bill

 


Giovanni Battista PERGOLESI

(1710 - 1736)


La serva padrona

intermezzo (1733); libretto: Gennaro Federico


I

Sunhae Im, soprano (Serpina)

Furio Zanasi, baritone (Uberto)


Freiburger Barockorchester


DIR.: GOTTFRIED VON DER GOLTZ


recorded: March 6, 2018, Konzerthaus, Freiburg


period instruments

flac (original bitrate: 256 kbps)

source: SWR2 (Stuttgart)


(01) Intermezzo primo [20'43"]

(02) Intermezzo secondo [25'20"]


II

Nicola Wemyss, soprano (Serpina)

Harry Peeters, bass (Uberto)


Netherlands Radio Chamber Orchestra


DIR.: FRANS BRÜGGEN


rec: Jan 24, 2005, Muziekcentrum Vredenburg, Utrecht


modern instruments, period style

mp3 (bitrate: 151 kbps)

source: NPO4 (NL) (digital radio)

Thanks to first uploader


(01) Intermezzo primo [21'22"]

(02) Intermezzo secondo [27'21"]



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links:


download:

(I)

(II)

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Sunday, 16 January 2022

Purcell & Blow - Vocalconsort Berlin & Akademie für Alte Musik Berlin

 


Purcell & Blow


Vocal & instrumental music


Vocalconsort Berlin

Akademie für Alte Musik Berlin


DIR.: GEORG KALLWEIT


recorded: March 19, 2010, Vredenburg Leidscherijn, Utrecht



period instruments

lossless (flac)

source: NPO4 (NL) (digital radio)


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Henry PURCELL (1659-1695)

(01) Overture a 5 in g minor (Z 772) [05'44"]


(02) Funeral Sentences [14'42"]

(03) Overture Bonduca, or The British Heroine (Z 574) [04'01"]


(04) O sing unto the Lord, anthem (Z 44) [11'38"]


(05) The Gordion Knot Unty'd (Z 597) [11'32"]



John BLOW (1649-1708)

(06) Let my prayer come up, anthem [02'16"]


(07) My God, my God, look upon me, anthem [04'51"]


(08) Praise the Lord, anthem 02'02"]


Matthew LOCKE (1621/22-1677)

(09) Consort in F [09'15"]

[Consorts of Fowre Parts, 1660]


Henry PURCELL

(10) Rejoice in the Lord, anthem (Z 49) [07'25"]\


[encore]

Henry PURCELL

(11) An Evening Hymn (Z 193) [04'29"]


links:

scores Purcell

John Blow

Matthew Locke

Vocalconsort Berlin

Akademie für Alte Musik Berlin


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Thursday, 13 January 2022

JC Bach: Amadis de Gaule - Jérémie Rhorer

 


Johann Christian BACH

(1735 - 1782)


Amadis de Gaule

tragédie lyrique in 3 acts (Warb G 39) (1779)

libretto: Alphonse-Marie-Denis de Vismes de Saint-Alphonse 

(after Philippe Quinault)


Ana Dežman, soprano

Julie Fuchs, soprano (1er Coryphée, Urgande)

Hélène Guilmette, soprano (Oriane)

Alix Le Saux, mezzo-soprano (2ème Coryphée, La Discorde)

Allyson McHardy, mezzo-soprano (Arcabonne)

Philippe Do, tenor (Amadis)

Martin Sušnik, tenor

Franco Pomponi, baritone (Arcalaüs)

Peter Martincic, bass (L'Ombre d'Ardan Canil)


Compagnie Les Cavatines

Les Chantres du Centre de musique baroque de Versailles

Le Cercle de l'Harmonie


DIR.: JÉRÉMIE RHORER


recorded: Jan 2, 2012, Opéra Comique (Salle Favart), Paris


period instruments

mp3 - 234 kbps

source: France Musique (digital radio)


Thanks to the original uploader


Booklet (CD) with libretto included [pdf]


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(01) act 1 [52'21"]

(02) act 2 [28'52"]

(03) act 3 [38'57"]


links

Amadís de Gaula

JC Bach, Amadis de Gaule - score

Opéra Comique

Julie Fuchs

Hélène Guilmette

Alix Le Saux

Allyson McHardy

Philippe Do

Franco Pomponi

Les Cavatines

Centre de musique baroque de Versailles

Le Cercle de l'Harmonie


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Tuesday, 11 January 2022

Piano, violin & horn - Archduke Ensemble

 


Piano, violin & horn

Beethoven, Brahms, Schumann


Archduke Ensemble


recorded: May 7, 2021, Stadsgehoorzaal, Leiden

[performance without audience]


period instruments

lossless (flac)

source: NPO4 (NL) (digital radio)

recorded with harddisc recorder


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Shuann Chai, fortepiano

Shunske Sato, violin

Teunis van der Zwart, natural horn


Robert SCHUMANN (1810-1856)

(01) Adagio and allegro for pianoforte and horn in A flat, op. 70 [08'34"]

(langsam, mit innigem Ausdruck - rasch und feurig)


Ludwig VAN BEETHOVEN (1770-1827)

Sonata for pianoforte and violin in c minor, op. 30,2 [25'54"]

(02) allegro con brio [08'08"]

(03) adagio cantabile [08'46"]

(04) scherzo. allegro [03'34"]

(05) allegro [05'26"]


Johannes BRAHMS (1833-1897)

Trio for violin, horn and pianoforte in E flat, op. 40 [28'26"]

(06) andante - poco più animato [07'30"]

(07) scherzo. allegro - molto meno allegro [07'25"]

(08) adagio mesto [06'56"]

(09) finale. allegro con brio [06'35"]


links:

Schumann, Adagio and Allegro - score

Beethoven, Sonata op. 30,2 - score

Brahms, Trio op. 40 - score

Archduke Ensemble


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Sunday, 9 January 2022

Vivaldi Virtuoso - Maarten Engeltjes & PRJCT Amsterdam

 


Vivaldi Virtuoso


Maarten Engeltjes, alto


PRJCT Amsterdam


recorded: Nov 27, 2021, Waalse Kerk, Amsterdam



period instruments

lossless (flac)

source: NPO4 (NL) (digital radio)

recorded with harddisc recorder


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Antonio VIVALDI (1678-1741)

(01) Perfidissimo cor! Iniquo fato! (RV 674) [10'41"]


Arcangelo CORELLI (1653-1713), arr anon

(02) Sonata for violin and bc in A, op. 5,6, 

arr for viola da gamba and bc in G [05'45"]


Antonio VIVALDI

(03) Qual per ignoto calle (RV 677) [11'32"]


Claudio MONTEVERDI (1567-1643)

L'incoronazione di Poppea (SV 308):

(04) Oblivion soave [03'33"]


Giovanni Girolamo KAPSPERGER (c1580-1651)

(05) Toccata II arpeggiata [03'58"]


Francesco CAVALLI (1602-1676)

Il Giasone: 

(06) Delizie contente [03'56"]


Claudio MONTEVERDI

(07) Si dolce è'l tormento (SV 332) [06'57"]


Antonio VIVALDI

(08) Pianti, sospiri e dimandar mercede (RV 676) [11'00"]


links:

scores Vivaldi

PRJCT Amsterdam

Maarten Engeltjes


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Wednesday, 5 January 2022

Blog business

 


Blog business


Rather than posting another concert I am sharing here some considerations regarding this weblog.


1. First of all, I wish all followers/downloaders a very happy New Year, with lots of good music.


2. Several downloaders are leaving messages to thank me for my uploads. I appreciate that, but nobody should feel obliged to do the same.


3. I have noticed that some of my postings also appear elsewhere. I have no problems with that whatsoever. If you want to publish my postings on a website, a forum or a subscription list, feel free to do so. I would appreciate a reference to this weblog, though.


4. I also now and then publish postings that I have found elsewhere. One uploader has given me special permission to use his recordings, and I very much appreciate that. I mostly don't mention the first uploader, because I don't know who it was, especially if the original posting dates from long ago, or the site where it was posted, prefers not to be known.

If someone has recordings that he/she would like to be posted on my weblog, please send me a message (tcadfael@gmail.com). Obviously the decision whether it will be posted is entirely mine. I assume any follower of this blog knows what kind of music and performances it is about.


5. I regularly receive requests to re-upload past postings. I am willing to do so, but I would like to ask for some patience. It takes some time to dig up old files (which are stored at an external harddisc), and to zip and post them. If you have requested a re-upload, please follow the chatbox, as there I am announcing re-uploads and new links.


6. Recently, at a mailing list, I asked what members thought about postings of mp3 recordings, and in particular those at a bitrate of 128 kbps. Among those who replied, the general opinion was that such a posting is better than nothing at all. Moreover, if a radio channel is only available at a bitrate of 128 kbps (which is the majority of the classical channels), there is nothing one can do about it. It is my personal experience that today the sound quality of most recordings at this bitrate, and especially online broadcasts of classical channels, is very good.

So far I have generally avoided posting recordings in mp3 format, and if I posted them, they usually had a bitrate of 256 kbps. The replies to my question have encouraged me to post mp3 recordings at a bitrate of 128 kbps as well, in case no recording at a higher bitrate is available. If such a recording is becoming available later, I'll replace the original upload. The bitrate will always be mentioned at the posting page. If it is necessary to turn an mp recording into a flac file, for instance to make some adjustments (cutting off announcements and noises, and fade out applause), the original bitrate will always be mentioned.


7. This strongly increases the number of recordings in my collection that are available for posting. I have quite a lot of things that have not been posted yet. Therefore I have decided to increase the frequency of my postings. Since a few years I am posting two times a week: on Sunday morning GMT and on Wednesday morning GMT. The Sunday posting will continue as usual. The Wednesday posting will move to Tuesday night GMT. I am planning to add another posting at Thursday night GMT. I don't know whether that will happen every week. Now and then I may be too busy to prepare a posting, but I expect that most weeks will see three postings. Each posting will be announced at the usual platforms (MIMIC, Twitter, Facebook).


8. I appreciate any comments on my postings, including criticism and suggestions for improvement.


9. Enjoy the music!


Thomas Cadfael

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Sunday, 2 January 2022

Charpentier & Handel: Te Deum - Peter Neumann

 


Marc-Antoine CHARPENTIER

&

George Frideric HANDEL


Te Deum


Karin Gyllenhammar, soprano

Stephanie Pfeffer, soprano

Elisabeth Popien, contralto

Raphael Höhn, haute-contre

Richard Resch, tenor

Tobias Berndt, bass


Kölner Kammerchor

Collegium Cartusianum


DIR.: PETER NEUMANN


recorded: Nov 4, 2018, Trinitatiskirche, Cologne


period instruments

lossless (flac)

source: WDR 3 (Cologne) (digital radio)

recorded with harddisc recorder


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Marc-Antoine CHARPENTIER (1643-1704)

(01) Te Deum in D (H 146) [26'22"]


Johann Sebastian BACH (1685-1750)

(02) Singet dem Herrn ein neues Lied (BWV 190) [18'25"]


George Frideric HANDEL (1685-1759)

(03) Te Deum in D 'Dettingen Te Deum' (HWV 183) [39'55"]


links:

Te Deum

Charpentier, Te Deum - score

Bach, Singet dem Herrn ein neues Lied - score

Handel, Dettingen Te Deum - score

Karin Gyllenhammar

Stephanie Pfeffer

Elisabeth Popien

Raphael Höhn

Richard Resch

Tobias Berndt

Kölner Kammerchor


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